Soc Doc Reception
Friday June 12th, 2009
6pm-8pm
Baskin Arts, UCSC
Soc Doc Screening
Saturday June 13th, 2009
1pm-6pm
Baskin Engineering Auditorium, UCSC
For more information contact: rneighbo@ucsc.edu
Schedule:
Reception/Gallery Show on Friday, June 12th, 2009,
6pm - 8pm Baskin Arts (student work featured concurrently)
- Amanda Abel – Closer to Home – photography
- Teresa Kurtak – The Cartel of Good Intentions – mixed media
- Briana O’Higgins – F*t, H*iry, Di*abled: Resistance, Reclamation, and the Possibility of Bodies – audio
- Damaris Santos-Palmer – Salud - audio
Video Screening on Saturday, June 13th, 2009,
1pm – 6pm Baskin Engineering Auditorium
1:00 – 3:15 Welcome
- Jason Wallach – Until the Last Drop: Tales from the Battle for El Salvador’s Water
- Valerie Krex – The Pink Bubble
- Lisa Mastramio – Quanto Vale? (How much is it worth?)
3:15 Intermission
3:30–6:00
- Elissa Moon – Far From Home
- Kimberly Bautista– Justice for My Sister
- Chris Newman – Finding D-QU: The Lonely Struggle of California’s only Tribal College
Project Descriptions:
AUDIO:
Briana O’Higgins: F*t, H*iry, Di*abled: Resistance, Reclamation, and the Possibility of Bodies
F*t, H*iry and Di*abled is a three part audio series about bodies in resistance to prescribed and expected corporeal ‘normality.’ In the 21st century public health discourses about fatness, gender and ability are ubiquitous, but often oppressive. These are the stories of those who have resisted conventional discourses and reclaimed their bodies in liberation, and as testament to bodily possibility.
Damaris Santos-Palmer: Salud
Salud is a three part audio documentary about the relationship of undocumented Latina/o immigrants to the health care system. Undocumented immigrants are often portrayed as robbing state coffers by utilizing social services set up for citizens. Salud challenges this stereotype with stories of three immigrants who are trying to survive in post 9/11 America, while worrying about their health.
PHOTOGRAPHY:
Amanda Abel: Closer to Home
Closer to Home is a photographic documentary by that explores the movement of people who, by living in tiny homes, have taken large steps toward sustainability. While the average square footage of new home size in America has risen to over 2400 square feet (2.5 times the average size in 1950), small-housers typically occupy only 70-400 square feet per person. In this time of extreme economic and environmental crisis, more and more people are choosing “to live simply so that others can simply live.”
MIXED MEDIA:
Teresa Kurtak: The Cartel of Good Intentions
Set in Burkina Faso, The Cartel of Good Intentions is a multimedia installation that explores how and the West continues to misrepresent food security issues in Africa. Though widely consumed, Africa's native foods are virtually unknown elsewhere. This is no insignificant omission, for “ignorance is more than just an absence of knowledge: it has a history.. .a political geography laden with political and cultural struggle.” Why is there an absence of African food in discussions of African food security?
Kimberly Bautista: Justice for my Sister
Adela Chacón Tax was violently killed in July 2007 and left behind a houseful of boisterous family members, who are grappling with the aftermath of her death. One sister, Rebeca,is and confronts a society and legal system that views violence against women as normal. Justice for My Sister investigates the concept of femicide, or gender-based killings, in Guatemala, and how different people in the rural town of Escuintla remember and make sense of Adela’s death.
Valerie Krex: The Pink Bubble
A bittersweet tale of one woman’s quest for American upward mobility. The story centers on Mary Kay Cosmetics saleswoman Hannah Price, a mixed-race working mother who is trying her best to elevate her family from poverty to the middle class. The film follows a year in her life as Hannah sets out to earn the ultimate symbol of Mary Kay success: the pink Cadillac.
Lisa Mastramico: “Quanto Vale?” (How much is it worth)
The tourist quest for something truly authentic can be difficult in today’s world. As the proprietor of an antique store in Salvador, Brazil, João Cabral offers something different. Moments in other people’s lives – weddings, baby photos, snapshots and more - make up part of his inventory. But where does he get these photos and why do tourists buy them? Quanto Vale? is an exploration of how these commodified images represent a microcosm of our globalized world.
Elissa Moon: Far From Home
Far From Home follows three individuals whose lives have been intertwined with San Francisco’s Laguna Honda Hospital, the largest nursing home in the country. Laguna Honda is owned and operated by the city, and serves as a public safety net for residents of varying ages and disabilities. But these residents prefer to live in the community rather than Laguna Honda. Far From Home explores their struggle for independence, choice, and control over their own lives.
Chris Newman: Finding D-QU: The Lonely Struggle of California’s only Tribal College
In 2005 D-Q University, California’s only tribal college, was shut down after a 35-year struggle. Since then, the school’s board of trustees, past students, and community members have tried to reopen the school against all odds. Finding D-QU explores stories of hope, healing and conflict that arise as D-Q University’s supporters fight to hold on to a dream that was never fully realized. Will D-QU collapse, or will the vision of self-reliant educational ever be fulfilled?
Jason Wallach: Until the Last Drop: Tales from El Salvador's Agua-apocalypse
El Salvador receives three times the world’s average rainfall annually, yet 40% of Salvadorans have no potable water in their homes. While the debate over water rages worldwide, Until the Last Drop examines two conflicting visions of water management in El Salvador. Is water a human right or a commodity to be bought and sold? In a road trip through the country, we witness real-life impacts of the crisis on everyday people who need water to survive.
Directions:
UCSC Campus
Baskin Arts
Baskin Engineering Auditorium (the Auditorium is located just South-East of the Jack Baskin Engineering Building)
For Auditorium, Park at: Core West Parking Structure
This event will be free and open to the public. Due to the extremely limited parking options on campus during graduation weekend, attendees are encouraged to use public transportation if possible.
Social Documentation Graduate Program:
The Master of Arts in Social Documentation is a two year graduate degree program focused on the development of expertise in the understanding and production of social documentaries in the genres of video, film, photography, audio, public ethnography, museum installation, and new media.
The foundation of the program lies in its social science approach
to sociopolitical issues,
prioritizing the graphic
expression of people's
lives and cultures,
the conditions under
which they work to
sustain themselves,
challenges to their
survival, and strategies
for improving their
lives. Students learn how to translate various academic interpretations of social life into effective, accessible and professional quality products.
Working with the faculty in Community Studies and affiliated faculty in other departments, students acquire substantive knowledge in their social science subject area(s) as well as the ability to navigate media standards in political and ethical processes of representation. International, local,
national, and regional
views are equally acceptable
and encouraged. Areas of focus within the program have been globalization, immigration, militarization, racial justice, gender redefinition, youth empowerment, gentrification, domestic violence, food and body politics, media conglomeration, environmental inequities, the digital divide, and history and memory.
Graduates are expected
to generate work that
will have an impact
on the world outside
the academy and to
develop an understanding
of documentary practices
and traditions, as
well as social codes,
that can form a foundation
for future work in
their targeted subject
area and arena of practice.
The Master's Project, which is the culmination of two years of study, will be given an exhibition or reading and will serve as the springboard for continuing work after graduation.